Interacting with the audience, interacting with life: Budapest and beyond

Keywords
DMT supervision, relational movement, Interactional Shaping, observed movement, group work, creative process

Penny has edited her own transcript from a seminar given in Budapest, Hungary at the First World Art Therapy Congress, drawing on her research of the use of creative processes within supervision for dance movement therapists in the UK. In illustrating the premise of her supervision practice through presenting examples from her supervision practice and two case studies, Penny expands upon the relational space in the therapeutic relationship and discusses awareness of client perceptions through body empathy, specifically therapist self awareness. In conclusion, Penny describes the ways she engaged with her listening audience, inviting embodied reflections. (pp 2-6)

The content on this page is accessible to DTAA members by logging into the website.