DTAA Past Events
Sara Boas Workshops in Sydney
The Dance-Movement Australasia (DTAA) is delighted to present two professional development-in-movement workshops facilitated by International dancer, healer, researcher and leadership coach Sara Boas. From Friday, May 5 to Sunday, May 7, 2017, Sara and the DTAA welcome DMTs, psychotherapists, arts therapists, wellness practitioners, coaches, consultants, dancers and other artists to join us at the historic Drill Hall dance space on the water’s edge at Sydney’s Darling Point for one, two or three days of movement-based exploration and learning.
Dates: Friday 5th – Sunday 7th May 2017
Venue: The Drill Hall, 1C New Beach Rd, Rushcutters Bay NSW, 2011
Friday: Transcultural Competence Workshop
Through an intensive experiential engagement, the workshop explores the real challenges and opportunities that we encounter in our work, whether or not our practice is explicitly ‘cross-cultural’. Participants are encouraged to question their own assumptions about culture, identity, ‘difference’ and more, and to develop new ideas and ways of working, all within a safe and supportive learning environment.
Saturday and Sunday: Art Making as Healing.
This two-day workshop focuses on the therapeutic value of creation and performance, as well as the artistic potential of therapeutic process. With a focus on dance and improvisational movement, but also incorporating poetry and drawing, the workshop combines experiential exploration with reflection, discussion, and theoretical analysis.
For anyone interested a supervision session can be arranged on the Saturday of the following weekend (May 13th, times TBC), please register your interest for this at email@example.com
For further information on the workshops and Sara Boas please go to this flyer: SaraBoasFlyer2017
Laban Movement Analysis: Teasing out the essentials for Dance Movement Therapy and other movement practices.
When: Saturday 25th and Sunday 26th of Feburary 2017
Where: Balmain Town Hall, 370 Darling Street, Balmain, Sydney
A two day immersion in movement behaviours, observations and analysis
Jane Guthrie and Heather Hill combine to present a workshop that connects LMA theory with practical application in the field. In order to do so, they will draw on specific areas for the purposes of recording movement observations and analysis, program planning and development.
Over the two days, the workshop will cover:
- A “walk through” the main areas of the LMA framework, drawing on theory, embodied experience/practice and observational exercises which include practicing using the language of LMA.
- Presentation of how the framework has been applied to a population with dementia for observation, planning and evaluation. Drawing attention to the psychological and social aspects of LMA, and implications for planning therapeutic interventions with this group of people.
- Consideration of LMA application to other populations, through case studies from a wide range of areas, and small group discussion and presentation.
Throughout the workshop, there will be opportunities to engage with and embody the LMA theory, to practice observations, and to workshop applications to particular contexts. Participants are invited to bring in case material from their practice, or consider their own movement profiles and what might be important movement experiences.
Jane is a CMA as well as a DMT and physiotherapist. Her knowledge and experience from this background is linked with Heather’s approach as a specialist in the area of Dementia and person centred care. Their approaches to using LMA complement each other but come from differing perspectives. Heather is a DMT who has worked for 30 years with older adults and people with dementia.
To register please follow these links to Trybooking: https://www.trybooking.com/MZMI or https://www.trybooking.com/228132
For inquiries contact: firstname.lastname@example.org, Robyn Price (NSW contact) 0412585568 or Jane Guthrie, (03)95924017
To see more information about the workshop please see our flyer: LMASydneyWSFlyer
DTAA Supervision session
Date and Time:
Sunday November 27th, times TBC
The Stables, 19 Duke Street, Richmond
Members: $65.00, Member Concession: $55.00
Non Members: $120.00 Non Member Concession: $100.00
Take this opportunity to build up supervision hours and be involved in sharing with your peers.
A professional membership clinic will be conducted across the lunchtime break from 1.0 – 2.00 pm. There is no charge for this. It provides a great opportunity for increasing needed supervision hours.
Participants should have an issue or issues in mind that they are prepared to discuss and reflect upon.
Please register for this event by emailing email@example.com. We will provide EFT details on registration. The running of this event is dependent on attendee numbers so to ensure it goes ahead please ensure you register ASAP.
Annual General Meeting and Supervision Events
Sat 26 and Sun 27 November, 2016
ANNUAL GENERAL MEETING
Sun 27 November, The Stables, 19 Duke Street, Richmond
1.30-2.30 pm Informal shared lunch and Professional Membership Clinic
2.45 pm- 4 pm: The AGM will include a presentation of the usual report of activities and financials for the 14-15 financial year. Draft documents will be presented for discussion about several important topics followed by presentations of new Professional Memberships and the HEMF Award for 2016.
4.00 pm: Dancing, networking, drinks and light refreshments
GROUP SUPERVISION SESSIONS
Sat 26 Nov, 9.15- 12.30 pm, registration from 9 am: Group supervision session
Assessing clients’ progress in DMT: considering successful practice and challenges, led by Professional DTAA members, Dr Kim Dunphy and Sue Mullane This event will offer supervision focussing on assessment of client progress in DMT. Participants will discuss their current practices of assessment, considering aspects that are successful and useful and those that are challenging. A technological tool for assessment, Marking the Moves iPad app, will be introduced briefly and participants invited to consider its usefulness for their context.
Venue: Edinburgh Gardens Community Rooms, Edinburgh Gardens, Alfred Crescent (off Brunswick Street) North Fitzroy.
Sun 27 Nov, 9.30-1.30 pm: General group supervision session
Supervision of practice with clients or problems for the therapist, led by Professional DTAA Member, Jane Guthrie Take this opportunity to build up supervision hours and be involved in sharing issues and problems with your peers. Participant should come prepared with something they would like to be supervised on. The Relational Creative Processes Model of supervision (Best, 2008) will be used in this session, which is an experiential approach to supervision. This starts with participants embodying their own issues prior to being
encouraged to look at them in different ways to reveal different perspectives.
Venue: The Stables, 19 Duke Street, Richmond
For more information and Trybooking links please link to flyer here: dtaa-agm-and-group-supervision-november-2016
The Art of Embodied Resilience: Dance and Movement Approaches to Promote Well-being for Our Clients and Ourselves
With International presenter – Amber Gray
This workshop provided theoretical, scientific, and contemplative rationale for the use of movement as measure of protection, self-care, and increased resilience, as well as an emergent best practice approach for therapeutic work with survivors of trauma. It covered breath, movement, rhythm and dance based practices that promote resilience and that can be used in therapeutic work with survivor clients of all ages.
Amber Gray is a licensed mental health professional, an award winning dance movement therapist, who is trained in Somatic Psychology, Contemplative Psychology, Somatic Experiencing, EMDR, parent child psychotherapy (an attachment model), trauma focused CBT, Historic Trauma, cranial sacral therapy, deep tissue bodywork, energy medicine, shiatsu, ecopsychology, and authentic movement.
Event details: Amber Gray June 2016
The Fourth Australian Dance Movement Therapy Conference
The Dance Movement Therapy Association of Australia turned 21 in 2015.
To celebrate, the DTAA and the Hanny Exiner Memorial Foundation presented this exciting event:
National Conference: Broadening the Spectrum:
Dance and other expressive arts therapies for health and healing
July 10-12, 2015
The Historic Abbotsford Convent, Abbotsford, Victoria
The conference explored how dance movement therapy and other creative arts therapies function as single and multi-modal approaches to health and healing; and how dance movement therapists make valued contributions to multi-disciplinary teams.
- How can the healing potential of dance movement therapy be strengthened through connection with other creative arts modalities?
- How can dance movement therapists work in partnership to promote client outcomes, especially in areas of trauma and attachment?
- How can we strengthen the use of evidence in approaches to dance movement therapy?
- What is the relationship between dance movement therapy and our indigenous cultures?
- Skill development in dance movement therapy
- Therapeutic applications of dance for specific populations and communities
- Professional issues and supervision
- Research and evaluation
We were honoured to have Dr. Sherry Goodill, Chairperson of the Department of Creative Arts Therapies at Drexel University, USA, and President of the American Dance Therapy Association, confirmed as our first keynote speaker.
Pre and post conference workshops with local and international presenters were offered.
DTAA Supervision Session
Sunday June 5th, 2016
Spiral Dance – Continuum Movement Playshop
November 27, 28, 29, 2015
Our strength is our fluidity. As water undulates, spirals, and flows, so do we. This playshop combines the healing soundstreams and movements of Continuum with the dynamic play of Emilie Conrad’s Jungle Gym Fitness. We will invigorate our fluid systems and creatively explore our relationship to gravity through waves, spirals and involutions. Dancing with gravity, we increase our adaptability, flexibility and resilience. Fluid, dynamic strength allows for greater ease and range of movement without the inherent detrimental effects of traditional strength models. Our movement explorations will dance the continuum from slow flow and ease to energizing, dynamic and strengthening. This playshop is appropriate for all therapeutic, movement and bodywork practitioners, and for all bodies and fitness levels.
Run by Amber Gray – an authorised Continuum Movement Teacher and
award winning dance movement therapist.
Amber has worked for many years with people who have survived violation, human rights abuses, and terror. Amber uses Continuum movement as a primary restorative practice in her work, and for resilience after injury, illness and chronic stress. Her teaching often combines Continuum with dance movement therapy, somatic psychology, current trauma and neuropsychological research, movement therapy, life impressions bodywork, ritual, and creative arts.
Restoring Core Rhythmicity: The Art of Play and Social Engagement for Trauma
December 4th, 5th and 6th, 2015
Exposure to traumatic events literally and metaphorically “freezes” our bodies, minds and spirits in a “lock-down” of past memories. Current neuro-psychiatric research has shown that when someone is traumatized, a majority of traumatic memory is implicit— or sensory-motoric and image-based. Many of the researchers endorse the use of non-verbal therapies for survivors to fully integrate the past with the present and restore well-being and balance.
This training will support clinicians, dance movement therapists, art therapists, and somatic therapists to work with survivors of trauma (in particular, relational trauma, complex trauma, and trauma secondary to violence) using a variety of very practical, body, movement, and dance-based approaches. It will benefit all mental health professionals who work with survivors of trauma and wish to integrate body-based and creative arts approaches into their work in individual and group contexts.
The pathways include neurobiological research such as Stephen Porge’s Polyvagal Theory, Dance/Movement Therapy, Somatic Psychology, Continuum Movement, and Embodied Developmental Psychology. This workshop will integrate a framework for working with rhythmicity co-collaborated by the facilitator with Dr Porges.
Run by Amber Gray – award winning dance movement therapist.
Amber is a licensed mental health professional specialized in working with survivors of trauma. She is an award winning dance movement therapist, who is trained in Somatic Psychology, Somatic Experiencing, EMDR, Trauma Focused Cognitive Behavioral Therapy, Historic Trauma, and Authentic Movement. She is also an Authorized Continuum Movement teacher and an advocate of human rights.
Spiral Dance – Continuum Movement Playshop
with Amber Gray
November 27 – 29, 2015
Restoring Core Rhythmicity
with Amber Gray
December 4 – 6, 2015
The Dance of Connection in Dementia Care: Getting to the Heart of the Matter
Donna Newman Bluestein from the US
Saturday February 21, 2015
Collingwood Senior Citizen’s Centre
‘Dancing with Older Adults and People with Dementia’ in the morning
‘The Dance of Interaction: Embodied Relationships in Dementia Care’ in the afternoon
The morning workshop provides a model for a dance/expressive movement program that is fun, engaging and esteem-building; while in the afternoon ‘The Dance of Interaction: Embodied Relationships in Dementia Care’, will focus on Quality of life (QoL) indicators that are relevant to this population.
The Therapeutic Use of Movement and Dance in Dementia Care
1 November 2014, Sydney NSW
Morning workshop – Introduction & Dance Experience
How does dance fit into person-centred care in dementia programming?
Heather will introduce person-centred care, lead a dance experience and show you different ways to develop simple material, while also identifying the important aspects of a dance and movement session.
Afternoon Workshop – Expand your Knowledge and Skills
Embody the experience of the person with dementia, identify key aspects and themes of the work, ideas for music and props, look at the challenges that present in various settings and with different groups, e.g. people in the latter stages of dementia, and understand what happens when dance meets person-centred care.
Heather Hill, PhD, M.Ed, B.A., Grad.Dip. Movement and Dance, Grad.Cert. Dance Therapy, Professional Member of the Dance Movement Therapy Association of Australia is a consultant in dementia and aged care and a dance movement therapist. She has worked for almost 30 years in the field of dementia, and lectured in dance therapy, creative arts therapy and arts-based inquiry. Heather has written journal articles, book chapters and two books for caregivers on dance for people with dementia: “Invitation to the Dance” (Stirling University, 2001, 2009) and “Let me stay and dance with you” published in Japanese (Creates Kamogawa, 2014).
Professional Practice and Supervision Day
Sunday 22nd June 2014
Experiential supervision for DTAA members.
Download flyer: Professional Practice and Supervision Day
(Psychotherapy and Counselling Association of Australia)
13 & 15 June, 2014
Complexity & Connectedness in Life and Love
Working with trauma, mental health & identity
Aerial UTS Function Centre, University of Technology, Sydney
Keynote speaker: Professor Emeritus of Counselling and John Macleod, University of Abertay, Scotland.
The conference will explore how counsellors and psychotherapists support clients with the complex challenges of life and relationships in the 21st century.
PENELOPE BEST – in Australia 2014
Becoming Human: How do we embody cultural, familial and engendered experiences in our ever-changing bodies as practitioners?
Three linked workshops: Friday 14, Saturday 15 and Sunday 16 February, 2014
The Convent, Dorm 1, Rosina Building – 1 St Helier Street Abbotsford, Melbourne. http://www.trybooking.com/69867
Please see attached flyer
CPF training series
Amber Gray; Body as Voice Part three Somatic and Creative Arts Approaches to Working with Survivors of Trauma.
Saturday 22 – 25 February, 2014
The Convent, Dorm 1, Rosina Building – 1 St Helier Street Abbotsford, Melbourne. http://www.trybooking.com/69877
Please see attached flyer
Radical Freedom – a continuum movement intensive
Continuum, Trauma and the Restorative Process with Amber Gray.
Wednesday 26 – March 2, 2014
The Convent, Dorm 1, Rosina Building – 1 St Helier Street Abbotsford, Melbourne.
Body as Voice – Amber Gray
Catch-up sessions for Part One of the Trauma Training
(introduction to the application of somatic psychology and creative arts therapies with survivors of severe trauma)
Wednesday 9 Oct 2-7pm & Thursday 10 Oct 10am – 6pm
At the Abbotsford Convent, in Dorm 2, Rosina Building –
1 St Helier Street Abbotsford, Melbourne.
Body as Voice: Restorative Movement Psychotherapy, Trauma and Resiliency Training Series
With International presenter – Amber Gray
October – Saturday 12, Sunday 13, Monday 14, Tuesday 15
The Convent, Dorm 1, Rosina Building
1 St Helier Street Abbotsford, Melbourne
Body Wisdom: Somatic and Creative Arts Approaches to Working with Survivors of Trauma
This training series will prepare clinicians, dance movement therapists, art therapists, and somatic therapists to work with survivors of trauma and strongly emphasizes mitigation of secondary trauma through practitioner self-care.
Sara Boas one-day experiential workshops
featuring Josselin Butté’s live music and percussion.
September 14 & 15, 2013
University of Technology Sydney (UTS) Kuring-gai Sports Centre, Eton Rd, Lindfield, Sydney, NSW 2070
Workshop 1 – Saturday September 14
Co-Creating the Healing Space: integrating movement, music and words in therapy
Workshop 2 – Sunday September 15
Structuring the Unknown: deepening and adapting your group work skills for diverse client populations
Reflective Practice – Supervision Day
For those needing the opportunity to build up supervision hours and be involved in a sharing with your peers
Sunday June 16
At: Abbotsford Convent Melbourne Dorm 2, Rosina Building
1, St Heliers Street, Abbotsford, Melbourne.
Body as Voice: Restorative Movement Psychotherapy. Trauma and Resiliency Training Series with International presenter – Amber Gray
Four day workshop 9.30 – 5 pm daily.
Saturday 29 and Sunday 30 June. Monday 1 and Tuesday 2 July 2013
Body Mind/Beginners Mind
Introduces participants to the application of somatic psychology and creative arts therapies with survivors of severe trauma, such as mass trauma (natural and human-made disasters) and extreme interpersonal violence. A sampling of the literature on somatic and creative approaches to working with this population is included with emphasis on cross culturally congruent resource and strength oriented approaches to both practitioners own somatic awareness, and clinical practice. The emphasis of Part 1 is on establishing relative safety and stability; cultivating, somatic awareness, and the primary portals to the body for embodied self awareness and care. This is a dynamic, hands-on, practically applied format with a need to dress comfortably and be ready to move.
Creative Arts Therapy Forum
Saturday 6 July 2013, 9am-5pm.
The Community Rooms, Abbotsford Convent Melbourne.
Birds of a Feather (BOAF), ‘Taking Flight’
One day Symposium with presentations from associations ANZATA, DTAA, ACATA and AMTA, group work and participation. Saturday 6 July 2013, 9am-5pm. The Community Rooms, Abbotsford Convent, 1 Saint Heliers st, Abbotsford. Bookings essential. Further enquiries contact Jane Guthrie firstname.lastname@example.org.
Penelope Best back in Melbourne
Professional development workshops on 8, 9 & 10 February, 2013
Therapist as audience, witness, and player;
How might the Fool, the Mover, and the Supervisor help the therapist to ‘see’ more clearly in the murky inter-subjective space?
Dorm 1, Rosina building, Abbotsford Convent, Melbourne
Embodied Chakras as Tools for DMT
Egyptian Dance expressed through the patterns of Chakras with Maria Sangiorgi
Sunday March 3, 2013. 9.30 am registration for workshop 10 am – 5.00 pm
Dorm 1, Rosina Building, First Floor, Abbotsford Convent.
The Chakras provide practical tools for the creation of strong physical and emotional connections. Combined with the spiritual blue print of the Chakras they provide a vehicle for healing. Egyptian dance expresses through spirals, waves, circles and strong connections to the earth – the patterns of the Chakras. Physical, emotional and spiritual change has been witnessed as a result of combining Egyptian dance to the physical expression and grounding they offer. Change has also been witnessed when they have been used within a DMT framework when working with various populations over the years. The workshop is aimed to provide the Dance Movement Therapist with some practical tools they can include in their DMT framework.
Maria Sangiorgi is a Dance Movement Therapist and creator of Embodied Bellydance®.
During her 23 year of teaching Bellydance and research into somatic movement practices she developed Embodied Bellydance®. She uses aspects of this in her therapeutic practice.
As a Dance Movement Therapist, Maria works with the physically and intellectually handicapped and homeless woman with mental health issues. She also facilitates Dance Journeys for the Awakening Heart, including SensingFeelingDancing the Chakras, and Women Dance Retreats. She mixes media artist practices and Esoteric Healing. Maria is also a massage therapist and is currently living in Italy.
DTAA Professional Development Event & Annual General Meeting
10 November 2012
Dance Movement and Other Creative Arts Therapies
Presentations by Elizabeth Mackenzie and Sharon Paetzold
Abbotsford Convent, Melbourne
Lifestreams: Continuum as Healing Movement, with Amber Gray
7, 8 & 9 September, 2012,
Abbotsford Convent Melbourne
Continuum is moving medicine. Emilie Conrad, creator of Continuum Movement, teaches that all fluids are basically one element, resonating with all other fluids. They function as a kind of umbilical cord supplying us with the pulsing undulations of life. Amber Gray, an authorized Continuum Movement Teacher and award winning dance movement therapist, who has worked for many years with people whom have survived violation, human rights abuses, and terror. Amber is using Continuum movement as a primary restorative practice in her work, and for resilience after injury, illness and chronic stress. Her teaching often combines Continuum with dance movement therapy, somatic psychology, current trauma and neuropsychological research, movement therapy, life impressions bodywork, ritual, and creative arts. This workshop is open to movement artists and practitioners, therapists, bodyworkers and all those committed to a deep exploration of how life reveals itself in each and every breath and movement we create. This workshop is an invitation to dive into the pool of existence within our cells and enter the play of life through Continuum, a practice that involves simple sound streams (to stir the fluid that resides within our tissues), breathing patterns, and slow, organic movements. In this workshop, we will have opportunities to address specific participant or client issues as defined by the group. The workshop will be organised so that attendees can participate in the weekend, even if they simply cannot attend on Friday evening, however,the experience offered will be much richer for those who can start at the beginning.
More information: Download flyer
Professional Membership Preparation and Reflective Practice Day
23 June, 2012, Abbotsford Convent, Melbourne
This strategic initiative from the Association was aimed at encouraging eligible members to become Professional Members, to increase the professional Membership number, to benefit the profession and provide successful candidates with increased professional standing. The morning session provided reflective practice supervision opportunities for all members and continuing education hours for those who need them.
Four day professional development intensive
29 June – 2 July 2012, Darwin
Introduction to Dance Movement Therapy: Download flyer
Working with dance for people with a disability: Download flyer
Presenters: Kim Dunphy and Alex Jordan, from the DTAA in partnership with Darwin Community Arts and Ausdance N.T.
Birds of a Feather… Flocking Together
Creative Arts Therapies Celebration
Saturday 14 July 2012, The Dax Centre Gallery and Foyer, Melbourne
The celebration was the final event in a two day summit seeking to explore potential collaborations across creative arts therapy disciplines across the Asia-Pacific. The DTAA invited a selected group of participants to attend as representatives of dance-movement therapy.
Event presenters: ANZATA, ACATA, AMTA, DTAA. Event supporters: La Trobe University, MIECAT, Pheonix Institute of Australia
Expressive Therapy Approaches to Working with Trauma
Vivien Marcow Speiser, PhD, LMHC, ADTR and Philip Speiser, PhD, RDT
Sunday 4 March 2012
Vivien is Professor and Director of National, International and Collaborative Programs at Lesley University in the USA, a dance therapist and expressive arts educator, and Phillip is Director of Arts Therapy at Whittier Street Health Center, Roxbury MA, an expressive arts educator/therapist, drama and music therapist who has developed and implemented integrated arts therapy programs for two decades.
Participants in the workshop explored body based approaches to working with trauma; arts based interventions and experiential activities for working with specific populations.
Balancing Differentiation and Linkage: A well-being frame for clients and therapists
Hosted by the DTAA with the Hanny Exiner Memorial Foundation (HEMF)
Friday 3, Saturday 4 and Sunday 5 February, 2012
Abbotsford Convent, Melbourne
Workshops: The thinking skin: The porous nature of ethics in dance therapy
Building materials of relationship: Swim alongside, interrupt, flirt
Bodies in therapeutic and supervisory spaces: Subtle seduction
Presenter: Penelope Best’s extensive practice as a senior dance movement psychotherapist, clinical supervisor, international trainer and researcher supports her continued curiosity about the importance of the body within relationship. As President of the European Network for Dance Therapy (2007-2010) she is keenly aware of different views about core elements of therapeutic practice and training. With Dr Beatrice Allegranti, she has recently co-created the first UK accredited DMP supervision training. She is fascinated by the influence of cultural differences and has initiated and runs professional DMP trainings in Warsaw, Poland, Croatia and the Netherlands. She is an Honorary Fellow of ADMP UK, External Examiner for Derby University DMP Masters, Fellow of Higher Education Academy, consultant to the profession, and maintains both private therapy and supervisory practices while publishing regularly. She enjoys facilitating opportunities for learning, using mixed creative materials and critical reflexivity. . Her main area for research is the relational spaces within clinical supervision. Penelope is well known to us in Australia (as Penny) from several visits between 2000 and 2006 to provide professional development and supervision for Australian dance-movement therapists.
DTAA Professional Development Weekend and Annual General Meeting
November 5 and 6, 2011, Edinburgh Gardens Community Centre, North Fitzroy
Workshop with Jilba Wallace: ‘Sensori-motor psychotherapy, neuroscience and implications for dmt’, MA LPC BC-DMT CHt
Sensorimotor Processing is a therapeutic modality created by Pat Ogden, PhD, who founded the Sensorimotor Psychotherapy Institute in Boulder, Colorado. There are many overlaps with dance movement therapy techniques such as those in the Moving Cycle (Christine Caldwell PhD) which help clients become aware of body sensations, movement inclinations and how these manifest into insightful, healing metaphors that can inform choices to change. This model works with resolving trauma patterns through tracking “procedural memory”, using mindfulness of body sensations, implicit memory and physical action. There is now a large body of neuroscience research to confirm the relevance of this technique and movement therapy for regulating emotions. Jilba will present some neuroscience theory and her experiences in working with sensorimotor and dance movement therapy in her private practice with individuals.
Presenter: Jilba Wallace, from Colorado, USA, graduated from Naropa University (Colorado) in 1992 and continues to teach and to mentor there. She grew up in Australia and worked in the outback for seven years using drama and dance with aboriginal children. She has a private practice in a semi-rural area, and works part time in a psychiatric hospital running an intensive outpatient program, with a multi-disciplinary team in the USA. Her interests include liturgical dance, yoga, mindfulness practice and shamanic principles.
Workshops with dmt practitioners Natalie Poole and Anna Ganz, and Annual General Meeting, 12.30-2 pm over lunch
Morning: ‘Music for dance movement therapy’ led by Natalie Poole
Afternoon: ‘Finding the dance in dance movement therapy’ led by Anna Ganz.
Workshop with international presenter Amber Gray
Deep Roots: An Immersion in Continuum Movement
Abbotsford Convent, August, 2011
Continuum movement as based on the work pioneered by Emilie Conrad, increases flexibility, motility, well-being, creativity, innovation, adaptability and vitality on many levels. Because it does not rely on fixed patterns or postures, it enables us to access our capacity for fluid, free, non-constrained movement, which enhances a sense of youthfulness, aliveness and well being. It is a particularly valuable resource to use in the restorative movement process after trauma and for resilience after injury, illness and chronic stress.
Amber Gray is using Continuum Movement more and more in her own work, and usually combines it into her innovative approaches to stress and trauma recovery. She combines it with somatic psychology, current trauma and neuropsychological research, movement therapy, ritual, and creative arts, in the trainings she provides for health and mental health professionals and paraprofessionals worldwide. In this workshop she will focus on Continuum Movement Practice as a means of teaching us to reduce physical limitations through movement innovation, to counter the “densifying” process of aging and stress, and increase both perceptual and mental awareness.
Continuum was explored in this workshop as a powerful form of movement that can access individual and collective bio-intelligence, or body wisdom. It borrows from the authentic movement principle of witness to develop the abilities to use this conscious movement practice to discover, uncover and express deep inner experience as root to thoughts, feelings, actions and stories. This course on continuum was a rich landscape of sound, breath and movement exploration to increase the awareness of the wellsprings of creativity, flexibility and joy that exists in the body and provide an opportunity to ground us into the experience of corporal presence. Continuum Movement experiences can provide the opportunity for growth and wellness for both the practitioner and their clients.
Presenter: Amber Gray is a longtime practitioner of body centered arts and sciences (somatic psychology, massage therapy, Life Impressions Body-work, Dance movement therapy, energy medicine, cranio-sacral therapy, yoga, and shiatsu), and an advocate of human rights. She is an authorized Continuum teacher, and a licensed mental health professional, who has worked internationally and nationally as an activist, an artist, a mental health professional, a program director and a trainer/consultant on behalf of victims of human rights abuses such as torture, war, and organized violence, for over twenty years. She is currently Director of Restorative Resources Consulting and Training. Her work has taken her to Indonesia, Kosova, Rwanda, Central America, Mexico, New Zealand, Croatia, Norway, Sweden, India, Sudan/Darfur, Lebanon, West Bank, Chad and of course her favorite country—Australia!
Professional Development and Supervision Weekend – 18 and 19 June
Saturday June 18, 2011 Lucy Guerin Studio, 14 Batman St, West Melbourne / More info
Freedom to Move: movement and dance with people who have intellectual disabilities
Kim Dunphy and Sue Mullane
Morning: Experiential workshop – practice and principles of dance-movement
Afternoon: Practical workshop – Introducing a framework for assessment
Morning: focus on the practice and principles of dance and movement with people who have intellectual disabilities.
Topics covered included:
- the value of dance for people with intellectual disabilities
- taking a Laban-based approach
- working with children, working with adults
- maximising the potential of low functioning clients
- strategies for successful group leadership
- extending the dance medium: props, music, dance styles, arts forms
Afternoon: Introducing a framework of assessment for dance and dance movement therapy programs, especially for people with intellectual disabilities. This workshop introduced a framework of assessment for dance-movement programs for people with special needs and intellectual disabilities. Theory was complemented by practice: participants used the framework to analyse video material of clients’ participation in a dance movement therapy program. This was followed by discussion on topics including:
- introducing dmt principles and the assessment framework to senior staff and school (or other organization) management
- harmonizing dmt assessment with other assessment frameworks, especially those in schools
- engaging non-specialist staff in the assessment process
- reporting to parents, especially those from different cultural backgrounds.
Professional Development and Supervision Day
Saturday April 30, 2011, Dancehouse, Melbourne
Supervision workshop: ‘What is happening in the therapeutic space?’ led by Anna Ganz and Jane Guthrie
The essence of the workshop was the provision of self-reflective practice in the relationship between the therapist and clients. There was an emphasis on transference and counter transference and /or ‘mutual influences’. The importance of critical self-reflection and creative development of the therapist was emphasised, and looking at the therapist forming a part of a team approach. Movement preferences, ways of interacting with others, and identifying personal values and belief systems were explored, and the importance of respecting differences. The workshop provided attendees with five hours of professional development and / or supervision.
Mentoring session: Becoming a DTAA Professional Member
Led by Anna Ganz, Fran Ostroburski and Bouthaina Mayall,
Professional Membership Committee, Dance Movement Therapy Association
Download flyer and registration form
Pathways to Restoration on the Stress Trauma Continuum
Melbourne, November 2010
Three day workshops with Amber Gray, dmt from USA
Presented by the DTAA and Hanny Exiner Memorial Foundation
Inside the Spoken Word: The body’s Role in Telling, Re-telling and Remaking our Lives
Sydney, October 2010
Three day workshops with Amber Gray, dmt from USA
Presented by the DTAA and Australian Somatic Integration Association
STARTTS Training Centre, Carramar, NSW
DTAA Professional Development and Supervision Day
Melbourne, June 2010
through Movement Experiential Learning
‘Ways of seeing’ led by Fran Ostroburski
This model of supervision is about refining attunement and listening to the space between. It is not about self or other but about ’Ways of seeing’ from a beyond the personal perspective, that provides the ability to move into any group. It is about the etheric field.
‘Relational creative processes’ led by Jane Guthrie
Focuses more on self and other and encourages positional shifts, to allow for problems or issues to be seen from different perspectives. It involves relational shaping. The hours on this day can be counted as supervision, or alternatively professional development if supervision hours are not needed.
Professional Development workshop
Sydney, March 2010
with Kim Dunphy, dance-movement therapist, performing arts educator and community artist.
Annual Professional Development Event,
A 3-D Perspective in Dance-Movement Therapy: define, deconstruct and dance
Presented by Michelle Royal
This workshop provided an opportunity to DEFINE personal issues in professional settings; to DECONSTRUCT the physical, emotional; and kinesthetic elements of these issues; and to heal and restore our professional relationships through DANCE.
Michelle Royal has degrees in the fields of Education,Movement Studies and the Arts, and a Diploma in Dance Movement Therapy (IDTIA). She draws on her training and skills in these modalities to develop and deliver specific programs for targeted groups in a variety of settings (community, educational, artistic and clinical).
When There is More Than One: some considerations for managing group dance therapy
Presented by Sue Mullane – Dance Therapist, Sunshine Special Developmental School, Victoria
This afternoon workshop explored one model for facilitating group dance therapy processes based on some theoretical considerations.
Sue, DMT, M.Ed. Melbourne Uni., Grad Dip Movt. and Dance, has worked in movement and dance in a wide variety of educational and health settings for more than 20 years. She worked collaboratively with staff from the South Eastern Centre Against Sexual Assault (SECASA), Victoria, co-devising and co-facilitating group programs incorporating creative arts and dance therapy for women survivors of sexual assault. She now works full-time as a DMT at Sunshine Special Developmental School.
Followed by dinner and celebration to launch our newest publication ‘Dance Therapy Collections 3’
Professor Margot Schofield- Guest speaker at book launch and 15th birthday dinner
Workshops led by UK DMT Sara Boas
LIFEdance! – Live your dance, Dance your life
Transcultural Competence – Exploring the Body of Culture
Professional Development Day
Reflecting on what we do: Inquiring into practice
Professional supervision led by Dr. Heather Hill
An important aspect of professional practice, particularly in the area of therapy, is the expectation that practitioners will ongoingly reflect on, scrutinise and inquire into their practice, and this is usually formalised within a context of professional supervision. There are many different ways to carry out this reflective/inquiry process and this workshop offers one approach. Starting from a “moment” of experience, participants were invited to inquire into this experience through a variety of modalities – movement, art, words, etc.- and through engaging with other participants (via partner and small group work) to further their inquiry. *Time taken for this process of inquiry will count as supervision hours.
The latter part of the day brought us back to what is at the heart of our practice, namely our connection with body. Jane Guthrie led a movement exploration that focussed on body connections from a developmental perspective as a foundation for all movement – to facilitate ease and efficiency – whether it be for expressive or functional purposes: focus on awareness of inner connections, how movement rides on the flow of breath, core distal connectivity and body integration.
Bridging the World of the Magical and the Medical with Jilba Wallace
Jilba uses therapy models that include a synthesis of the Moving Cycle, Mindfulness of the body and Emotion Regulation as practiced in the Dialectical Behavior Therapy model, Authentic Movement, trance or hypnosis states and active visualization. She says that:
“Dance/movement therapists access their own world of the body, movement and creativity and can work with focused intent to make changes. The challenge in the professional setting is how to help clients/patients access their own resources (primarily the moving body) and integrate this, as well as explaining to peers in clinical settings how DMT can benefit the populations with which they work”.
In this experiential workshop she applied this synthesis to working with groups or individuals with chronic pain, chronic suicidal ideation, developmental disabilities and physical handicaps
Jilba Wallace MA, LPC, ADTR, lives in Colorado USA where she moved after growing up in Australia. Funded for her choreography in the community, she worked in the outback for seven years using drama and dance with aboriginal children. She graduated from Naropa University (Colorado) in 1992 and continues to teach and mentor there. She is Secretary of the ADTA’s Rocky Mountain Chapter, has a private practice, and works part time in a psychiatric hospital running an intensive outpatient program with a multidisciplinary team. Her own interests include liturgical dance, yoga, mindfulness practice and studying shamanic principles.
Workshop: Laban/Bartenieff Movement Analysis in DMT
with Peggy Hackney
In this two day workshop Peggy explored the wide ranging threads of the LMA/Bartenieff work that can be used in DMT. Some aspects addressed include psychological issues and some more physical ones – which of course interweave with the psychological.
Some of the threads of the Laban/Bartenieff work developed in this workshop included:
- Tracking changes of Body Connectivity, Energy (Effort), Shape, and Spatial usage of client¡¦s and students. Looking at the Effort “coloring,” that can combine with Body, Shape and Space in various ways that change the meaning.
- Being open to the non-knowing of what is coming next to allow true therapist ‘presence’. Creating a safe place for the client to listen to their own bodies and develop their own inner witness and value their own messages.
- Becoming more aware of “Shadow Movements”, which with the client¡¦s words (which may contradict the movement being done), and messages from the practitioner¡¦s body, together form “Embodied Attentiveness” (so called by Katya Bloom).
- Becoming aware of the differences in relationships with the same or contrasting Effort qualities in interacting Kinespheres and the use of this in developing empathy and/or clashing in the therapeutic relationship and why both are needed.
- Tracking the underlying patterns of Developmental Movement that support the person and building up a set of movement patterns that help to organize the body from a lower brain level.
- Importance of LMA basic themes such as Mobility and Stability and Exertion and Recuperation in a therapy situation
Peggy Hackney, BA. Psych., RMT, MFA, Certified Massage Therapist, began her Laban training in 1963, graduating from the first Effort/Shape Certificate Program in NYC, and working with Irmgard Bartenieff for nearly 15 years. She was a performer for many years, tenured to the Dance Faculty of the University of Washington for 11 years, taught extensively in the USA and in Europe and used Authentic Movement for 15 years. She is internationally recognized for her work in Laban Movement Analysis and the Bartenieff Fundamentals, helped found the Intensive Certification Programs in NYC, Seattle, Salt Lake, and Berlin. She has also worked extensively with Bonnie Bainbridge Cohen, the founder of Body Mind Centering. Currently she directs and teaches in the Berkeley California Weekend Format Laban/Bartenieff Certificate Program. She is Assistant Director of Moving On Center in Oakland, CA, where she teaches classes integrating Somatics and! Performance. Currently Peggy is working on Dynamics in Motion Capture Animation through NYU on a grant from the National Science Foundation. Her book Making Connections: Total Body Integration through Bartenieff Fundamentals, published by Routledge, 2003, is in its third printing
Workshop : Innovative Model for Dance Movement Therapy Across Cultures:
The Center Post Framework (CPF) & Restorative Movement Psychotherapy
with Amber Gray
In this workshop, Amber combined theory with embodied exploration to introduce the CPF, an innovative model that is rooted in DMT and integrates somatic and creative arts modalities into the restorative process. The Model can be used in a in a wide range of therapy applications and, as well as for DMTs, it is very relevant for creative arts therapists and psychotherapists using movement. The framework specifically addresses and honors the complexities of working with movement, dance and the body across diverse cultures, and the long term impact trauma has on survivors’ life experience. Approaches and methods to facilitate restoration, and the importance of culture as both a resource and a paradigm to guide somatic and expressive arts interventions were highlighted. Participants were encouraged to integrate the strength-based CPF into their dance-movement therapy practice, at the same time as cultivating somatic self-awareness, and stability in their own bodies.
Amber Gray, MPH, MA, ADTR, NCC, LPCC, provides training and consultation nationally and internationally on the application of dance-movement therapy and somatic psychotherapy to work with interpersonal trauma and conflict situations. She has a wealth of experience in treatment of trauma and torture survivors and childrens traumatic stress problems, using kinesthetic and non-verbal approaches. Amber also specializes in areas such as rhythm based rituals in clinical practice. She is the present Director of Restorative Resources Consulting and Training, Refugee Mental Health Coordinator for the State of New Mexico, and The Raven Drum Foundation’s Trauma and Resiliency Program Director.
Professional Development For Dance Movement Therapists, Students, Graduates & those interested in dance-movement therapy or allied movement forms
Wesley Institute, Sydney,
Drawing Through Movement – with Lisa Roberts
Contact Improvisation – with Cath Magill
Towards wholeness: A two hour experience of the philosophies and methods of dance therapy pioneer Trudi Schoop – with Robyn Price
Emotional factors and working from the Pilates Centre with Penny Latey
Rethinking, Revising and Reframing Bartenieff Fundamentals – with Sandra Lauffenburger
‘Weaving the Threads’: Third Australian Dance-Movement Therapy Conference
presented by the DTAA and the Hanny Exiner Memorial Foundation
- How can dance and dance-movement therapy contribute to well-being and personal growth?
- How can dance and dance-movement therapy be employed as tools for health and healing?
- How can dance and dance-movement therapy contribute to the development of communities?
- Skill development in dance-movement therapy
- Experiential learning in dance-movement therapy
- Applications of dance-movement therapy for specific populations
- Professional issues and supervision
- Research and evaluation